It is 1795 and evil lurks in the winding alleys of Stockholm. Tycho Ceton prowls the city, willing to do anything to survive and reclaim the honour he has lost. No one knows what he is planning next but Emil Winge, haunted by the ghosts of his past, is determined to stop him. Meanwhile, Jean Mickel Cardell is preoccupied with his own search for Anna Stina Knapp. She may have in her possession a letter which could have devastating consequences in the wrong hands.

All the while, hell looms inexorably . . .

In the seventh part of the Millennium thriller series begun by Stieg Larsson, the action shifts north and the male gaze is replaced by a female one. The Norrbotten region of Sweden is a magnet to sinister incomers as its rich natural resources start to generate vast flows of money. Environmental forces pull politicians and locals in different directions and the traditional Sami way of life is under threat.   Lisbeth Salander and Mikael Blomkvist, each brought to the area by family commitments, find themselves at the eye of the storm as people dear to them become targets.

Until the 1980s, autism was regarded as a condition found mostly in boys. Even in our time, autistic girls and women have largely remained invisible. When portrayed in popular culture, women on the spectrum often appear simply as copies of their male counterparts — talented and socially awkward.

Yet autistic women exist, and always have. They are varied in their interests and in their experiences. Autism may be relatively new as a term and a diagnosis, but not as a way of being and functioning in the world. It has always been part of the human condition. So who are these women, and what does it mean to see the world through their eyes?

In The Autists, Clara Törnvall reclaims the language to describe autism and explores the autistic experience in arts and culture throughout history. From popular culture, films, and photography to literature, opera, and ballet, she dares to ask what it might mean to re-read these works through an autistic lens — what we might discover if we allow perspectives beyond the neurotypical to take centre stage.

As a species, we’ve never had it so good. We’re living longer and healthier lives than ever before; the sum of human knowledge and endless entertainment are only ever a few clicks away.

So why are we in the midst of a mental health crisis?

The Happiness Cure offers a radical new way to think about fulfilment. Blending neuroscientific research and empirical breakthroughs with stories of ordinary individuals, leading psychiatrist and viral TedX speaker Dr Anders Hansen reveals that by adopting an evolutionary take on life, we can re-set our perspective on happiness to find longer-term meaning and lasting contentment.

A bilingual English/French translation of a script written in 1969 as part of an omnibus film collaboration with Kurosawa and Fellini that was never made. Translators:  Deborah Bragan-Turner (English), Jean-Baptiste Bardin (French)

Published in collaboration with Cinematograph AB, Stockholm

“A nervy application of social theory that makes for an invigorating primer and a jarring riposte to present-day assumptions on dating, attachment, and the nuclear family.” — Publishers Weekly

The UK edition of Carin Gerhardsen’s critically acclaimed standalone psychthriller published by Head of Zeus (originally published in the USA by Scarlet in 2021).

In this second part of her notionally autobiographical trilogy, Selma Lagerlöf broadens the perspective from the farm where she grew up to include the people and places around Lake Fryken in her beloved Värmland county. The personal creation myth which she began in Mårbacka continues here with a focus on the self-discipline and imagination needed to fulfil a childhood ambition to become an author. It is hard work that sometimes means taking a stand against convention but also a deeply enriching process in a home steeped in storytelling and books. The mature author reveals the roots of the young bibliophile’s growing skill in deploying fiction to manipulate and embellish reality, producing a wryly charming, tongue-in-cheek account that we should beware of taking at face value.