Girls Lost

Finalist for the PEN Translation Award.

Winner of Sweden’s most prestigious literary prize for young readers, Girls Lost is a thriller featuring three teenage girls: Kim, Bella, and Momo. The three occupy a challenging limbo between childhood and adulthood, made only more difficult by the steady provocation of their malicious male classmates and pubescent bodies that are changing beyond their control. They are on the precipice of a grown-up world that seems to be broken into two groups: male and female; public and private; assailant and target. Eager to escape, the girls seek refuge in Bella’s greenhouse, a free zone where their imaginations run wild and their talents can flourish.

Wretchedness

A deeply musical novel about poverty and being ‘the one who got away’

Shortlisted for the 2016 August Prize

Longlisted for the 2021 International Booker Prize

Winner of  the 2021 Oxford-Weidenfeld Translation Prize

Malmö, Sweden. A cellist meets a spun-out junkie. That could have been me. His mind starts to glitch between his memories and the avant-garde music he loves, and he descends into his past, hearing all over again the chaotic song of his youth. He emerges to a different sound, heading for a crash.

From sprawling housing projects to underground clubs and squat parties, Wretchedness is a blistering trip through the underbelly of Europe’s cities. Powered by a furious, unpredictable beat, this is a paean to brotherhood, to those who didn’t make it however hard they fought, and a visceral indictment of the poverty which took them.

Many People Die Like You

In this collection from the winner of Sweden’s August Prize, Lina Wolff gleefully wrenches unpredictability from the suffocations of day-to-day life, shatters balances of power without warning, and strips her characters down to their strangest and most unstable selves.

An underemployed chef is pulled into the escalating violence of his neighbour’s makeshift porn channel. An elderly piano student is forced to flee her home village when word gets out that she’s had sex with her thirty-something teacher. A hose pumping cava through the maquette of a giant penis becomes a murder weapon in the hands of a disaffected housewife. Wicked, discomfiting, delightful and wry, delivered with the deadly wit for which Wolff is known, Many People Die Like You presents the uneasy spectacle of people in solitude, and probes, with savage honesty, the choices we make when we believe no one is watching … or when we no longer care.

Lazarus

Anxious People

One bank robber, seven strangers and a really bad idea…

“A wildly unpredictable caper which begins with a failed bank robbery leading to a hostage situation unlike any other.” Shortlisted for the CWA Crime Fiction in Translation Dagger 2021.

Fire, Smoke, Green

Vegetarian barbecue, smoking and grilling recipes from the writer who brought us ‘Green Burgers’

This is more than just a barbecue cookbook. Fire, Smoke, Green is broken up into seven chapters that cover everything you need to know about making great food over the flame: from grilling directly onto fire, to cooking with indirect fire, smoked recipes and even wood-fired pizza.

A Silenced Voice

The media treated her as a victim, but she was far more than that. She was a voice for the voiceless.

A moving memoir of an inexplicable crime, a family’s loss, and a legacy preserved.

Kim Wall was a thirty-year-old Swedish freelance journalist with a rising career. Then, in the summer of 2017, she followed a story that led to an eccentric inventor in Copenhagen. Instead of writing the next day’s headline, she’d become one.

As the bizarre events of Kim’s murder unfolded, the world watched in shocked disbelief. For Kim’s distraught parents, Ingrid and Joachim, it was a devastating personal struggle. In the ensuing months, day by gruelling day, they had to come to terms with their loss, process the global media attention, and endure the investigation and trial. In the end, they’d make certain that Kim would be seen not only as a victim but as a bright, funny, complicated, ethical, and selfless young woman—a loved and loving daughter, sister, fiancée, colleague, and friend.

Kim Wall’s life and promise may have been cut short, but everything she stood for lives on in this emotional memoir of braving the worst of days, moving forward, and never forgetting.

Nominated for the Bernard Shaw Prize in Swedish.

In the Vienna Woods the Trees Remain

Winner of the August Prize.

The story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist.

Chitambo

‘For us – children of a confined era, growing up in stuffy rooms crammed with dusty draperies, little china dogs, plaster ornaments and the first monstrous, wind-up gramophones – there was a strong and vivid impression that the new freedom would drag us all out into the streets, old and young, helter-skelter into the raucous crowds.’

Vega Maria has been trapped since birth in a vice of conflicting parental expectations. Her father brings her up to admire history’s heroic male adventurers, while her mother channels her towards housework and conformity. In a time of revolution and civil war in early twentieth-century Finland, Vega finds it hard to identify her own calling, alighting first on the cause of feminism but feeling her way towards a wider humanitarian mission. A kaleidoscope of changing roles for Vega whirls us through this compelling modernist novel, multi-layered, accessible and funny. Hagar Olsson’s evocation of Helsinki is second to none:

‘Spring came upon us early, in April, inundating us with its heat and intensity. My city awoke in that headlong way she does in spring, the white queen of the still-frozen waters, her crown glistening with sun and cobalt.’

Kallocain

Written midway between Brave New World and Nineteen Eighty-Four, as the terrible events of the Second World War were unfolding, Kallocain depicts a totalitarian ‘World State’ which seeks to crush the individual entirely.

In this desolate, paranoid landscape of ‘police eyes’ and ‘police ears’, the obedient citizen and middle-ranking scientist Leo Kall discovers a drug that will force anyone who takes it to tell the truth. But can private thought really be obliterated? Karin Boye’s chilling novel of creeping alienation shows the dangers of acquiescence and the power of resistance, no matter how futile.