A devastating novel about absolute vulnerability, brutality and isolation, by Sara Stridsberg.

Longlisted for the Dublin Literary Award 2023 and the National Translation Award in Prose 2023.

In 1969, six very diverse young people in the old university city of  Uppsala are embarking on their studies. Two are brother and a sister. Two are young men who have just done national service together. One is a class warrior, one a theology student, one a would-be entrepreneur, and one a a future journalist. There are two odd young people who may well be geniuses. The group’s lives become inextricably intertwined, but a summer trip through Eastern Europe changes everything, and when their time at university is over, it also signals the end of something else.

Years later, a lecturer at Lund University is found dead at the bottom of a cliff in the woods close to Kymlinge. And chillingly, it is the very same spot where one of the Uppsala students died thirty-five years before.

It’s been more than twenty years since Olof Hagström left home. Returning to his family’s house, he knows instantly that something is amiss. The front door key, hidden under a familiar stone, is still there. Inside, there’s a panicked dog, a terrible stench, water pooling on the floor: the father Olaf has not seen or spoken to in decades is dead in the bathroom shower.

For police detective Eira Sjödin, the investigation of this suspicious death resurrects long-forgotten nightmares. She was only nine when Olof Hagström, then fourteen, was found guilty of raping and murdering a local girl. The case left a mark on the town’s collective memory—a wound that never quite healed—and tinged Eira’s childhood with fear. Too young to be sentenced, Olof was sent to a youth home and exiled from his family. He was never seen in the town again. Until now.

An intricate crime narrative in which past and present gracefully blend, We Know You Remember is a relentlessly suspenseful and beautifully written novel about guilt and memory in which nothing is what it seems, and unexpected twists upend everything you think you know.

A painful, true story from a survivor of Auschwitz about her childhood experiences.

The Angel House is the third in the remarkable series of free-standing novels that cemented Kerstin Ekman’s reputation in her native Sweden in the 1970s, long before she achieved world-wide success with novels like Blackwater and The Forest of Hours. It follows the fortunes of the inhabitants of a provincial Swedish town, familiar from the first two books in the series, from the late 1920s to the Second World War, when events beyond the boundaries of neutral Sweden disrupt the regular rhythms of life.

Winner of the George Bernard Shaw Prize 2002.

First published by Norvik Press in 2002, this new edition of the quartet, known as ‘Women and the City’ is designed to reach a new audience. Read more about  The Angel House and the series as a whole in the mini-essays on the Norvik Press news blog.

If you think about it, all languages are made up – some are just more open about it than others.

In The Universal Translator, Yens Wahlgren heads up an expedition through time, space and multiple universes to explore the words that have built worlds. From the classic constructed languages of Star Trek and Tolkien to (literally) Orwellian Newspeak and pop-culture sensations such as Game of Thrones, The Witcher and The Mandalorian, this is your portal to over a hundred realms and lexicons – and perhaps the starting point to creating your own.

Why did it take us 5,000 years to attach wheels to a suitcase? How did bras take us to the moon? And what does whale hunting have to do with our economy?

Bestselling author Katrine Marçal reveals the shocking ways our deeply ingrained ideas about gender continue to hold us back. Every day, extraordinary inventions and innovative ideas are side-lined in a world that remains subservient to men.

But it doesn’t have to be this way. From the beginning of time, women have been pivotal to our society, offering ingenious solutions to some of our most vexing problems. More recently, it is women who have transformed the way we shop online, revolutionised the lives of disabled people and put the climate crisis at the top of the agenda.

Despite these successes, we still fail to find and fund the game-changing ideas that could alter the future of our planet, giving just 3% of venture capital to female founders. Instead, ingrained ideas about men and women continue to shape our economic decisions; favouring men and leading us to the same tired set of solutions.

For too long we have underestimated the consequences of sexism in our economy, and the way it holds all of us – women and men – back. Katrine Marcal’s blistering critique sets the record straight and shows how, in a time of crisis, the ingenuity and intelligence of women is that very thing that can save us.

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village,” since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left—a woman stoned to death in the town center and an abandoned newborn—have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.

But there will be no turning back.

Not long after they’ve set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice:

They are not alone.

They’re looking for the truth…
But what if it finds them first?

Come find out.

Finalist 2020 National Book Award for Translated Literature

Longlisted for the 2021 Pen Translation Prize